By Bill Hurter
From taking pictures formal relations graphics in a dimly lit church to taking pictures vigorous candids at a bustling reception, this valuable reference offers a hundred suggestions for dealing with the method from begin to finish—choosing the easiest apparatus, shooting the easiest moments on movie, and adorning and providing them afterwards. a number of execs provide priceless recommendation for electronic marriage ceremony photography, giving technical guidance on lights, publicity and metering, and colour administration, in addition to rules for scouting destinations, facing apprehensive brides, and photographing huge teams. considerable time is spent at the many features of posing and lighting—for either formal and casual situations—with an eye fixed towards bettering the potency of the shoot and the common attractiveness of the resulting images.
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Extra resources for 100 Techniques for Professional Wedding Photographers
30. Photographing Larger Groups As people gather for large group portraits, have them put their drinks down before they enter the staging area, then arrange the group so that the bride and groom are the center of interest and everyone else’s face can be seen (tell everyone that they need to be able to see you with both eyes to be seen in the photo). Look for a high vantage point, such as a balcony or sec- LEFT—Tom Muñoz is not only an expert at choreographing and formally posing events, he is also an expert at pulling the priceless moments out of such scenes.
This is a graphic representation of the number of pixels at each brightness level. The range of the histogram represents 0–255 from left to right, with 0 indicating “absolute” black and 255 indicating “absolute” white. In an image with a good range of tones, the histogram will fill the length of the graph and (in most cases) trail off on either end. When an exposure has detailed highlights, these will fall in the 235–245 range; when an image has detailed blacks, these will fall in the 15–30 range (RGB mode).
Low- lengthens the nose, narrows the chin and jaw line, and broadens the forehead. ering camera height shortens the nose, de-emphasizes the forehead, and widens the jaw line, while accentuating the chin. While there is little time for many such corrections on the wedding day, knowing these rules and introducing them into the way you photograph people will help make the techniques second nature. 27. Posing Couples The simplest of groups is one with just two people. Whether it’s a bride and groom, mom and dad, or the best man and maid of honor, the basic building blocks call for one person slightly higher than the other.
100 Techniques for Professional Wedding Photographers by Bill Hurter